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| Quantum Leap Symphonic Orchestra Gold Pro Upgrade |
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by - Doug Rogers , Nick Phoenix Sample CDThe GOLD EDITION of the "critically acclaimed" EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA includes 16-bit stereo samples from the PLATINUM EDITION (which is multi-channel), at a much lower cost, and was recorded where orchestral instruments sound their most natural - in a 'state of the art' Concert Hall. Listen to the pure beauty of the Symphonic Orchestra and 125 million dollar Concert Hall that were recorded with the HIGHEST-QUALITY custom built recording equipment, by audio legend - Prof. Keith O. Johnson - recipient of two GRAMMYS, plus eight additional GRAMMY nominations for his 90 plus Classical Recordings. The GOLD EDITION is a MAC/PC Plug-In (compatible with most music software), and has been designed to be extremely EASY TO USE - providing professional composers with the HIGHEST-QUALITY instruments available, to create their compositions. To achieve this level of quality, all of the instruments and sections were chromatically sampled, with multiple dynamics, with extremely dynamic and expressive articulations. All players were recorded in position. If you upgrade to the PLATINUM EDITION later, your compositions will be FULLY COMPATIBLE, providing a known upgrade path to "the best sounding orchestral sample library ever" - no other product offers this! OVERVIEW
NO SAMPLER REQUIRED!The GOLD EDITION of the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA comes as a VIRTUAL INSTRUMENT which includes a high-performance NATIVE INSTRUMENTS interface powered by the efficient KONTAKT audio engine, including Direct-from-Disk*, for Mac and PC (*With freely-downloadable Direct-from-Disk extension). The GOLD EDITION can also be loaded into KONTAKT (from version 1.5), for even greater flexibility and more options for working with the sound material.Each VIRTUAL INSTRUMENT in the collection combines intuitive handling with excellent sound quality, and functions as a plug-in instrument, without the need for a sampler. For the sonically adventureous, many sound shaping tools have been built in to the interface. Powerful multi-mode filters, envelopes, and LFOs give a wealth of creative possibilities. Integrated high-quality reverb, chorus, and delay effects are also provided. Direct from Disk playback easily handles large samples beyond available RAM (which is assignable). Professional sound quality with advanced 32-bit processing, and 256 voice polyphony allow for lush arrangements. The clean and intuitive interface never lets the technology get in the way of your creativity. All important instrument parameters can be immediately adjusted without the need to page, scroll, or fumble through a manual. SYSTEM REQUIREMENTS15 GB Free Hard Disc Space, DVD DriveMINIMUM REQUIREMENTS (for Native Instruments software)Windows XP/ME/98, Pentium III/Athlon 500 Mhz, 256 MB RAMMac OS 9.2, OS 10.2.6 or higher, G3 500 Mhz, 256 MB RAM RECOMMENDED SYSTEM (for Native Instruments software)Windows XP, P III/Athlon 700 MHz, 1 GB RAMMac OS 9.2, OS 10.2.6 or higher, G4 733, 1 GB RAM RECOMMENDED SYSTEM (for sound library)EASTWEST recommends using a fast processor and up to 1.5 GB of free RAM to optimize the performance of this sound module.COMPATIBILITYWIN (VST®2.0, DXi2tm, ASIOtm, MMEtm, Direct SoundTM, **RTAStm)MAC (VST®2.0, ASIOtm, SoundmanagerTM, OMStm, Audio UnitsTM, Core AudioT<, ***RTAStm) (**RTAS support for Windows will be available as a free download later.) (***RTAS is not supported for MAC OS9) *DFD - Direct from Disk extension from www.soundsonline.com/techsupport.shtml is required. This product requires registration within 5 days (by web, fax or mail). INSTRUMENTS AND ARTICULATIONSSTRINGS18 Violins -expressive vibrato p, fstraight vibrato p, mf, ff upstroke, ff downstroke lyrical vibrato slow, fast attack legato vibrato p, mf, f sordino expressive mp, mf sordino fast mp, mf non-vibrato p, mf tremolo 1 & 2 pizzicato, p, mp, mf, f martele up and down short martele up and down marcato short, medium and long effects 11 Violins -expressive vibrato dimuendo p, fexpressive vibrato p, f lyrical vibrato p, f straight vibrato p, mf, ff legato vibrato p, mf, f trill half step trill whole step spiccato martele up and down short martele up and down marcato short and long 10 Cellos -expressive vibrato, slow and fast attackstraight vibrato p, mf, ff legato vibrato p, mf, f pizzicato, p, mp, mf, f non vibrato portato short and long trill half step trill whole step tremolo martele up and down mf, f short martele up and down mf, f effects 10 Violas -expressive vibrato p, fexpressive vibrato slow p, f straight vibrato p, mf, ff legato vibrato p, mf, f martele up and down mf, f short martele up and down mf, f marcato short and long 9 Basses -expressive vibrato, slow and faststraight vibrato p, mf, f, ff upstroke, ff downstroke legato vibrato p, mf, f pizzicato, p, mp, mf, f martele up and down mf, f short martele up and down mf, f marcato short portato tremolo bow slaps effects Solo Violin -vibrato, p, mf, fmartele up and down Solo Cello -sforzandovibrato legato, p, mf, f Harp -mp, mf, froll finger, mp WOODWINDS3 Flutes -vibrato p, mf ,fnon-vibrato mf expressive vibrato trill half-step trill whole step staccato C Flute -vibrato mp, fnon-vibrato mf expressive vibrato 1 and 2 staccato p, mf, f grace notes falls 3 Oboes -vibrato mp, fstaccato p, mf, f Solo Oboe -vibrato mp, fnon -vibrato mf expressive vibrato 1 and 2 staccato p, mf, f trill half step trill whole step falls glissando grace notes Alto Flute -vibrato mfPiccolo Flute -vibrato mp, fexpressive vibrato staccato mp, f trill half step trill whole step English Horn -vibrato mp, fexpressive vibrato 1 and 2 non-vibrato mf staccato p, mf, f Bassoon -vibrato mfnon-vibrato mf expressive vibrato 1,2 and 3 portato staccato, p, mf, f Contra-Bassoon -vibrato mp, fstaccato mp, f 3 Clarinets -non-vibrato mp, fstaccato p, mf, f Solo Clarinet -non-vibrato mfexpressive non-vibrato 1 and 2 portato staccato p, mf, f Bass Clarinet -non-vibrato mp, fexpressive non-vibrato portato staccato mp, f BRASS6 French Horns -sustain p, mp, mf, f, fffstaccato p, mf, f, fff long staccato fff portato, mf, fff portato sfz, mf, fff sforzando f legato slides, short and long legato p, mp, mf, f, fff rips, short 1 and 2, and long shakes Solo Horn -sustain, p, mf.ffstaccato p, mf, ff portato, mf, ff sforzando f 4 Trumpets NV -sustain mp, mf, ffsustain accent mp, mf, ff legato mp, mf, ff staccato, mp, mf, ff sforzando short forte-piano slides fast and slow Solo Trumpet (C) -expressive vibrato 1 ,2 and 3non-vibrato mp, mf, ff staccato double tongue position 1 p, mf, ff sforzando portato slides fast and slow 4 Bass/Tenor Bones -sustain p, mf, ffsustain accent p, mf, ff staccato p, mf, ff portato sforzando flutter tongue Solo Bass/Tenor Bone -sustain p, mf, ffstaccato p, mf, f, fff Solo Tuba -sustain mp, fstaccato, mp, mf, ff PERCUSSION5 Timpani with Calf HeadsBass Drum 3 Snares 4 Anvils Vibes Crotales Glockenspiel Xylophone 3 Suspended Cymbals 4 Cymbal pairs Band Cymbal 5 ft. Gong 2 Normal Gongs Bell Tree Mark Tree Orchestral Chimes Triangle Lots of toys PROF. KEITH O. JOHNSONProf. Keith O. Johnson has spent over 30 years developing a reputation for innovative thinking, technical achievement and musicianship which has elevated him to a position in the audio industry occupied by only a handful of visionaries. His intensive investigation of electronic behavior and acoustic perception have led most recently to his development (with digital engineer Michael Pflaumer) of the revolutionary High Definition Compatible Digital encoding process, produced and marketed by Pacific Microsonics (recently acquired by Microsoft). HDCD is widely considered to be the most accurate recording process ever invented.His 90-plus recordings have long been considered the standard for high fidelity, and include two GRAMMY award-winners and eight additional GRAMMY nominations. SOME REVIEWS OF HIS RECORDINGS -"Its sonic quality is most impressive in stereo spread, depth, presence, and resolution of detail, with rock-solid image stability, in a spacious ambiance -- a demonstration-quality recording if there ever was one." --McKelvey, AMERICAN RECORD GUIDE"This may be some of the best sound Keith Johnson has ever gotten out of Symphony Hall in Minneapolis, and certainly Oue's most convincing work with the Minnesota players, who sound for all the world more like the Philadelphia than that orchestra does these days . . . how Johnson got that huge climax at the end of the Dances cleanly onto tape transcends engineering and goes into the realm of magic." -- Harry Pearson, THE ABSOLUTE SOUND "Once again, Keith Johnson has raised the bar of excellence in the recording of a symphony orchestra. . . It's a fabulous recording and a super performance of the SYMPHONIC DANCES, and a testament to the brilliance of Keith Johnson and his associates." -- Anthony Kershaw, Audiophilia.com "Keith Johnson's engineering, mastering and production have, in this case, produced the finest orchestral recording I have ever heard. It is instantly among that handful of CDs I will carry with me to audition sound systems, or that I will play to show off my own. Listening to this recording is one of those exultant musical experiences that will remind you why you got into the audiophile game in the first place." -- Russell Lichter, Soundstage.com "I recommend it highly to those who love the sound of the symphony orchestra in all its glory, and to those who love to show off what their audio systems can do when asked to reproduce first-class orchestral showpieces."" - Karl Nehring, THE SENSIBLE SOUND "Stunning audiophile sonics...the clarity, transparency, and firm definition of individual orchestral timbres are unequaled in my listening experience." -- Lawrence A. Johnson, FANFARE "These people really know how to record an orchestra." -- Richard Freed, WETA Radio AWARDS AND NOMINATIONSGRAMMY NOMINATION, 2002 ("Best Engineered, Classical"):RESPIGHI (RR-95) was engineered by Keith O. Johnson using HDCD (High Definition Compatible Digital) technology, which he co-invented. It was produced by J. Tamblyn Henderson, Jr., 1998 Grammy nominee for Best Classical Producer. Recording sessions with Eiji Oue and the Minnesota Orchestra were in Orchestra Hall in Minneapolis, September 28-29, 1999; the release date was March 14, 2000. Earlier GRAMMY-nominated titles: MALCOLM ARNOLD OVERTURES (London Philharmonic Orchestra conducted by the composer), RR-48 BOLERO (Eiji Oue/Minnesota Orchestra), RR-92 STRAVINSKY: The Rite of Spring, The Song of the Nightingale, The Firebird Suite (Eiji Oue/Minnesota Orchestra), RR-70 BRUCKNER: Symphony No. 9 (Stanislaw Skrowaczewski/Minnesota Orchestra), RR-81 GRAMMY WINNER: CHICAGO PRO MUSICA ("Best New Classical Artist'), RR-2102 THE ABSOLUTE SOUND GOLDEN EAR AWARDS: RACHMANINOFF: Symphonic Dances, etc. (Eiji Oue/Minnesota Orchestra), RR-96 RIMSKY-KORSAKOFF: Scheherazade, etc. (Jose Serebrier/London Philharmonic Orchestra), RR-89 THE ACADEMY ADVANCING HIGH PERFORMANCE AUDIO & VIDEO AWARDS: BRUCKNER: Symphony No. 9 (Skrowaczewski/Minnesota Orchestra), RR-81 FROM THE AGE OF SWING (Dick Hyman), RR-59 ARNOLD OVERTURES (Arnold/London Philharmonic Orchestra), RR-48 NAIRD "INDY" AWARDS ("Best Original Recording"): RESPIGHI: Belkis, Queen of Sheba, etc. (Eiji Oue/Minnesota Orchestra), RR-95 TRITTICO (Frederick Fennell/Dallas Wind Symphony), RR-52 RECOMMENDED HARDWARETo really get the most out of this library you need optimized hardware. Our test systems were built by "Building Your Computer", based in the Los Angeles area of California, USA. We use four of their "VisionDAW 2U" systems - one for each module of the "PLATINUM EDITION" - and we get 250+ stereo voices out of each system in DFD mode!!We can't recommend these systems highly enough. The service they provide adds tremendous value to the cost of their systems. For busy composers, the service alone, can be worth the investment. Quick Specs:
The VisionDAW EWQLSO Edition difference:
Average user rating: 5 Stars
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Stock#: 32936 Publisher: East West Code: EW-160PRO UPC: 8 37206 Format/Platform: Kontakt Subject: Orchestral Year: © 2005 List: 395.00 Sale: $355.00
MAP (Minimum Advertised Price) in force. CALL!
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