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OBSOLETE - Superseded by later version
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FINALE
EVEN EASIER TO USE THAN EVER BEFORE!
Whether you’re creating
simple lead sheets for songs or
producing complete orchestrations,
Finale is ready to handle
all of your scoring demands
THE ART OF MUSIC NOTATIONTM
Finale. Unmatched flexibility!
Finale provides you with more ways than
any other program to create your music,
enter it, edit it, hear it, view
it, lay it out on the
electronic page, and
ultimately, print it.
That’s why Finale is
the first choice of
more professional
musicians, composers,
arrangers, copyists
and publishers.
Here are some
examples of
what you can
do with Finale.
Only Finale gives you HyperScribe. See your score entered
virtually as fast as you play it with HyperScribe, Finale’s
patented real-time note-entry method. Play your music the
way you want to...and HyperScribe notates it just as fast as
your computer will allow. Or, notate while you listen to pre-
viously recorded tracks. You’ll actually hear your music
develop while you’re playing and composting. (SIC)
Choose from over 30 Templates. Finale offers 36 complete
pages layouts, or Templates, from ‘Lead Sheet” to “Full Orchestral
Score” with everything from “Handbell,” “Guitar Tablature”
and SABT w/Piano” in between. Just select a Template and start writing.
The Jazz Font Set by Sigler Music
is used in the piece Schreibtisch
Multiple Font Capabilities for Multiple Looks. Finale
is the only music notation program that offers you the
capability to use multiple music fonts. Now the “look” of
your score can be as unique as your music.
Drum Mapping! Percussion Notation. Specify which
noteheads belong where on your score with ease...then
map the notation to the note on a midi instrument that
uses a percussion sound. The results absolutely
accurate notation and playback.
Finale’s New Text Tool let’s you create, edit and place
text anywhere directly on the score.
FINALE HAS...
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The first and only music notation program with Plug-in
capability, Finale ships with a wide variety of Plug-ins
such as Automatic Tablature and Range Checking.
Plug-ins offer unlimited flexibility and power!
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An extensive user interface. Reduce a view to 50% or
enlarge to 1000%. Pick different colors for different
elements of the score. Size and position the main tool
palette or show only the tools you need.
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Award winning tutorials for comprehensive learning.
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More features and functions than any other music
notation software. Real-time music entry and multi-
track recording. Enter rhythmic values from a double-
whole note to a 128th note. Choose from eight prede-
fined or definable clefs. Use standard or non-standard
key signatures. Define repeats and barlines. Control dot
spacing and placement.
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Even more! Type lyrics right onto the score. Create and
position titles and other text. Easily select, create, and
edit chord symbols. Import or export graphics. Play a
note, chord phrase, selected staves or an entire score.
System Requirements:
Finale for Macintosh System 7.0 or higher. 8 MB RAM (mini-
mum) 16 MB recommended, 10 MB available hard drive space,
10 MB of free working space on hard drve (20 MB additional
hard drive space required to load on-line documentation.)
Finale for Windows 95 or higher: (NT version 4.0 available
late 1998) 8 MB RAM (minimum) 16MB recommended, 10 MB
of free working space on hard drive (20 MB additional hard
drive space required to load on-line documentation.)
Optional (for all versions of Finale): MIDI interface, MIDI
keyboard or controller, MIDI playback device (MIDI-compatible
sound card or Sound module). PostScript or non-PostScript
printer.
©1997, Coda Music Technology,
All rights reserved.
Finale and Coda are registered
trademarks and The Art ot Music
Notation is a trademark of Coda
Music Technology. Macintosh is
a registered trademark ot Apple
Computer, Inc. windows is a
registered trademark ot Microsoft.
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MIDI Classics
Order: 800-787-6434
Fax: 860-651-4373 Tech/Overseas Voice: 1-860-651-1349
E-mail: mcsales@midi-classics.com
Box 311, Weatogue, CT 06089-0311 USA
Copyright © 1998 MIDI Classics®. Revised July 21, 1998
mcsales@midi-classics.com