CARUSO ON THE ART OF SINGING

So begins Enrico Caruso, whose lively discussion along with that of Luisa Tetrazzini, addresses the developing singer with advice, useful knowledge and encouragement in the art of singing. Both writers provide an informal vocalist’s anatomy, with instructions for the proper training, care, and disposition of the tongue, lungs, diaphragm, mouth and the voice itself. Tetrazzini deals with the foundations of singing in breath control; tone emission and attack; and, sending the would-be performer to the mirror, facial expres- sion and dress. Caruso remarks on tone production; such faults as the “white voice,” “throaty voice,” and “goat voice”; the necessity of good diction; and also diet and the part superstition plays in certain singers’ performances.

These consummate artists show great charm and presence also as writers, and this little book is a pleasure to read: “‘You see, madam,’ [said one aspiring singer to Tetrazzini], ‘I have studied breathing. Why, I have such a strong diaphragm I can move the. piano with it.’ - - - I was quite aghast. I had never met such an athletic singer.”

Voice students and all opera goers will find these nontechnical hints and instructions of two of the very greatest singers of all time certainly worth reading. Brief biographical sketches accompany the text.

Unaltered, unabridged republication of original (1909) edition. Biographical sketches. Two photographs. 71pp. 5 3/8 x 8¼. Paperbound -

ISBN 0—486-23140-2