MIDI Classics small logo

Damoreau: CLASSIC BEL CANTO TECHNIQUE

CLASSIC
BEL CANTO
TECHNIQUE

Laure-Cinthie Damoreau

Faculty of the Paris Conservatoire, 1834—1856

The singing style called bel canto (“beautiful song”) emphasizes absolute breath control, vocal sheen, evenness of tone, agility, and elegance. In this superb guide by a bel canto master, today’s singers will find a rare resource for attaining the glorious sound of the 18th-century Italian vocal technique, considered the only proper preparation for Mozart’s operas and the pre-Romantic Italian operas of Donizetti, Bellini, Rossini and others.

At the height of bel canto’s popularity during the early and middle 19th century, renowned teachers and singers compiled invaluable teaching materials that have since slipped into obscurity. This volume represents a gem from this lost treasury of bel canto training manuals—a renowned publi-cation by French soprano Laure-Cinthie Damoreau (1801—1863), who played leading roles in operas by Rossini, Auber, Spontini, and Meyerbeer, and taught at the Paris Conservatoire for 22 years.

An indispensable guide for modern singers, this volume provides an in-depth insight into authentic 19th-century vocal instrnction. In her thorough treatment of the subject, Mine. Damoreau offers numerous exercises with instructions for their effective use. Studies for scales, turns and trills, vocalises, solfeggio studies, and other exercises assist in training the voice, teaching sight-reading, and ensuring a clear and firm articulation of vowels and consonants without displacing the voice. The book concludes with an array of virtuoso passages, cadenzas and embellished passages from the author’s own operatic repertoire.

Unabridged Dover (1998) republication of Metodo di canto / Composto ad uso delle allieve del Con-servatorio di Parigi da Madama L. C. Damoreau / Traduzione Italiana di P Casati, G. Ricordi & C., Milano, n.d., itself a translation of the original French publication Méthode de chant, 1849. Introduction. Preface. Instructions with extensive music examples. New English translation by Victor Rangel-Ribeiro. 128pp. 9 3/8 x 12 1/4. Paperbound.

ALSO AVAILABLE

BEL CANTO: A THEORETICAL AND PRACTICAL VOCAL METHOD, Mathilde Marchesi. 108pp. 9 3/8 x 12 1/4. 22315-9 Pa.
HOW TO SING, Lilli Lehmann. 128pp. 5 3/8 x 8 1/2. 27501-9 Pa.
GREAT SINGERS ON THE ART OF SINGING, Harriette Brower and James Francis Cooke. 160pp. 5 3/8 x 8 1/2. 29190-1 Pa.
Free Dover Music Catalog (59057-7) available upon request.

A DOVER EDITION DESIGNED FOR YEARS OF USE!

We have made every effort to make this the best book possible. Our paper is opaque, with minimal show-through; it will not discolor or become brittle with age. Pages are sewn in signatures, in the method traditionally used for the best books, and will not drop out. Books open flat for easy refer-ence. The binding will not crack or split. This is a permanent book.

ISBN 0-486-29984-8

Cover design by Frank J. Moore
90000
9780486299846 II

Order Now! | Specials | What's New | Company Information | Dover Books | Catalog | Home


MIDI Classics
Order: 800-787-6434
Fax: 860-651-4373 Tech/Overseas Voice: 1-860-651-1349
E-mail: mcsales@midi-classics.com
Box 311, Weatogue, CT 06089-0311 USA

Copyright © 1998 MIDI Classics®. Revised March 12, 1998

mcsales@midi-classics.com